Andrew Allison
An Ely Voice
Angus Dei
Bearwatch
Bighound
Blaney's Blarney
Calum Carr's Take
Cassandra
Cherie's Place
Devika Jyothi
Finding Life Hard
Flip Chart Fairy Tales
Letters From A Tory
Looking for a Voice
Miserable Old Fart
Nourishing Obscurity
Panem Et Circenses
Redefining Oblivion
Sicily Scene
The Far Queue
Tory Teenager
Valleys Mam
The Far Queue
Non Sequiturs for Un-pruned Roses
Loving the AlienThis groove and tongue tirade
Channelling some chic samurai
In pitched battle teevee dreams
At the edge of a fashioned world
Runs with the blood
Of a thousand slain poppies
In the veins of some velvet morning
And the children of an arcane moon
Ultraviolet waves once crashed
Upon the keys of your skeletal coast
Derailing trains of Cartesian thought
Leaving poison pens impatiently poised
Now this machine with morose-ghost standards
Tastes your tender edge, your acid etch
And whispers a secret two-step
Into the dancehalls of your inner ear
And the stones once placed upon your eyes
Make holes in a papier-mâché mask
Send ripples through the mind’s catacomb
And echo in the face of an alien son
The House of Gatecrashed Dreams
Burlesque ~ Tony NotarberardinoPatience awoke every morning to the warmth of a clean day; a day to be climbed the better to view.
Were it not for the ghosts Patience would have left the house to its very slow decay.
As it stood she felt compelled to attempt those repairs that she felt she might most be able to secure.
With inept hammer and recycled nails she battled the porch roof, winter wind and gap-tooth lifted; where the ghosts of the night sky glimmered, unmarred by light, lamenting their loss to progress. The tiles themselves were troublesome and uncooperative; the ghosts of a baby’s cries in the night.
With bent screwdriver and rough hewn wedges Patience re-hung the hanging door, thereby restoring some privacy to both the empty hall, whose silence was often marred by the battles between the ghosts of sword hands severed and the spectres threadbare sun umbrellas, and the moody sitting room whose tattered and under-stuffed armchair was occupied by the ghost of a father’s laugh, echoing in the afternoon.
The treacherous staircase was decayed by the spirit of an arrow that had found no heart and nightly ascended by the ghost of a life impaled by love. Here Patience hammered planks recycled from the nearby sawmill, (itself haunted by the ghost of a night spent in enforced and heart-broke solitude).
By evening Patience darned and mended bedclothes and blankets to warm the dreams of lovers lost in time; the rooms haunted yet by the ever fainter composite odour of their life together
And while Patience slept, the ghost in the attic cherished a tender kiss on the lips when only a cheek had been offered.
Whirr Keffik

REASON DICTATES THAT IT WOULD BE A WASTE OF EFFORT CREATING SOMETHING THAT DOES NOT AT LEAST TRY TO BE SPECIAL.
WHAT WASTEFUL FORCE WOULD STRIVE TO CREATE THE MEDIOCRE OR EVEN TO RISE TOWARD THE FAMILIAR; THE COMFORTABLE PAST?
THE ACT OF CREATION SHOULD SURELY BE APPROACHED AS IF DRAWING WITH INFINITELY VALUABLE BLACK INK ACROSS PAGES OF SKIN WHOSE EVERY LINE, EVERY WORD HOLDS EQUAL SWAY, EACH AN INTEGRAL PART OF THE WHOLE – A MOLECULE IN THE SUBSTANCE OF THE PAGE; A PAGE IN THE BOOK OF EVERYTHING.

